the second release from producer eomac’s new dublin-based label eotrax comes from nomadic irish producer lair. this is an exciting step for the label, moving away from the dancefloor into more diverse, eclectic territory. lair is a producer far from the norm, especially for those releasing on an electronic music label. she classifies herself as a composer, producer, vocalist, artist, sound-healer and yoga teacher. with a diverse background that includes singing classical and traditional material shes expanded her artistic approach into a diverse web-like multi-disciplinarian approach in keeping with her nomadic life. currently she creates electronic music, contemporary classical music and healing music under a variety of alias including laura kilty and luminousounds (for healing music). she is also in the duo noeverything with eomac. in her words my lair music is how i see the world - this one and others channeled - expressed through layers of my vocals which i shape electronically. the music has elements of mysticism, sacred geometry, energy, sound with intention and just sounds i love formed to make music i love. i see music as i create it. i work with lots of layers - for me its like creating an aural representation of the image i see. these layers of sound can be found in her debut self-titled ep in the deep, ritualistic drones of invoke and meld on the a-side, and the more concise rhythmical patterns of searching in circles on the flip.

synthetic is a track from iib debutant kimopots. sythetic is a deep grooving house cut. eastern elements and soft arps melting with subtle technoy acid vibes. dreamy. ilija rudman brings out the analogue hardware and adds a boogieesque bassline keeping the deepness. finally robot 84 pumps it up a touch with a nod towards italian house sounds of the early 90s. 3 great versions

chicagoan artist vincent floyd has been releasing music for 27 years now. with stand-out records for the legendary dance mania and some more recent outings through amsterdam connaisseurs rush hour recordings, vincent floyd crafted a 4-track package of original cuts, which will be released as the seventh instalment in the pulp series. the vigorous sounds of “circles (dub)” consist out of loose percussion, piercing synth work and a snappy vocal that cuts through at just the right moments. in the classic style of a sizable amount of dance records throughout the earlier days of dancefloor-music, an instrumental version of “circles” is including on the a2 position. “skewed reality” is an extravert piece of music that revolves around an emotive synth lead and nicely timed drums with a very human feel to them. the soothing pads form the back bone of this journey through exalted melodies. “morning storm” serves as the pulp07 grand finale. in this cut vincent again showcases his ability to mould many melodic elements into a cohesive sounding piece of music. “morning storm” is a bright piece of work with delicate melodies and beautiful playful drum patterns.

romanian talent suolo presents may be for lokomotiv’s first official release.
cosmic frequencies induce an intergalactic trip as may be transports us into space, while complete paranoia aims for those special fast-paced moments on the dancefloor after-hours.
romanian duo sit (cristi cons & vlad caia) add colour to the stripped down beauty of may be with their interplanetary interpretation, featuring suolo’s signature dreamy soundscapes and bouncy rhythms. the remix is driven by a deep-toned bassline while more otherworldly elements web together an out of body experience that we know you will enjoy.
the release has received early support from raresh, barac, dubtil, arapu and cezar to name a few, mesmerising dancefloors and generating a wave of hype in romania and around the world.

a new talent is added to our roster, this time the argentinian alderaan, after several releases in labels such as animal farm, mindtrip, planet rhythm and our very own aine. he offers four slices of modern techno, heavy percussive based but whit a lot of intelligent elements inside.
first cut is ancient particles, multiple drum layers, heavy reverberation and obsessive sequences as sound palette.
parallax follows in the same style but adding more drone action and bell like lines in a clever arrangement.
oscar mulero remixes retina getting rid of the textures and focusing in rhythm and repetition in a minimalistic remake.
retina is a cosmic exercise, with galactic resonant bleeps, atmospheres and ambiental components in a dreamy structure.
timeless techno for the mind and for the body, soul as a weapon.

occassional duo pjotr g & dubiosity have become household prruk names within short time. a couple of months after the well received “a man is no island” ep a new submission to the ever extended prrukblk catalog was provided in the form of “savant”, a 4 track spanning work of staggering techno with the significant filmic elements that pjotr g and dubiosity cleverly incorporate into their hazy works of techno. whereas the a side is based on these elements, on the b side darker elements are introduced. “savant” is a ferm but uplifting techno record.

limited hand numbered 180g vinyl with postcard insert.
use your loaf dub was recorded over 3 months in kingston, jamaica a decade ago. it is the first all new jamaican recorded dub album to be released in 30 years. using the cream of current and past ja session musicians and recorded at some of the most iconic studios. heavyweight authentic yard dub! the album cover is by renowned brit artist, gavin turk, who is currently having a retrospective exhibtion at damien hirst s newport street gallery. bringing these two elements together with no expense spared production of both sleeve and vinyl, ensures this will be a highly sought after release for years to come.

henrik schwarz and !k7 are proud to announce a collaboration that will bare many different musical fruits. the first of these is a brand new label called between buttons, curated by henrik and focused on acoustic sounds and contemporary compositions. between buttons will be in partnership with !k7’s own neo-classical hub 7k!, and will kick off with a new mini lp by schwarz entitled works piano, followed by an ep entitled aphorisms by syrian artists khaled kurbeh & raman khalaf ensemble. mixing up old and new technologies, experimental and more classical approaches, the label will see schwarz forge new paths in his own work, as well as curating material from the peers he has worked with over the last 15 years. mainly made up of acoustic sounds, piano, string quartets, self-built instruments, percussion and intriguing classicist elements with a modern twist, there will be eps from piano virtuoso bugge wesseltoft, as well as other electronic producers wanting to show themselves in a different, more unplugged light. “in these times of constant turbo mode, likes and thumbs-up, we need to go back to basics,” says henrik. “we want to move away from the idea that relentless hasty productivity is a must, and instead take time to create space, to let ideas mature and to focus the mind on subtler sounds.” works piano will be a four track mini album that uses a yamaha disklavier as the starting point and reimagines it, reworks it and alters it with various digital and recording technologies. one track is a created with a reactive algorithm and one is composed purely from altered and processed piano sounds.

first release limited edition 300 copies limited edition by pelati riviera trio, dj soch, rame from pasta boys and franco b from dancity working on a classic piece of the historic label irma records (calypso): -going into the circle- by tameka starr. on the a side two new versions made by the trio have as reference the style deep house of the early 90 . tight grooves and mellow pads combines a vocal line full of soul, all surrounded by syncopated chords and piano classical elements of italian disco and dance music of that period on side b the original pearls by the ltdj soul invention, dj art and intrapella

monosoul is back on tieffrequent with 4 timeless and classical cuts focussed on the important elements of housemusic...with love for the dancefloors, clubs and basements of this universe... on the a-side you have „make em match“, a rough and steady house-groove containing a constantly bouncing bassline, a deep chord-pattern, a complex percussion-cluster and a well infixed electric piano...all elements are perfectly balanced, finalized and formed to a completed floorfiller. then there is „monument street“ after which the ep was named. starting really deep and minimalistic it developes to an impulsive und powerful song. organic pads, pulsating deep chords, a rhythmic bassline and well arranged drums make „monument street“ flowing impressively from start to finish. the b-side starts up with „hot concrete“, a blazing, drum-driven basement-groover. with a sharp deepchord which is wrapped-up in several padsound-patterns, monosoul creates a very own athmosphere. in combination with an impulsive bassline and a distinct percussion- ensemble „hot concrete“ beats time on the floor noticeably. finally „life on the red island“ as the perfect final track brings the „monument street ep“ to an end. it builds up by adding small bits and pieces very subtly to a point you recognize a pulsative deephouse beauty. the remarkable bassline and the concise and bouncing kickdrum are casted in a flowing deep sounded carpet full of hope. „life on the red island“ disappears to where it came from and leaves you with strong impressions. the „monument street ep“ gives an insight into monosoul s impressive understanding and definition of house music which you can hear on 4 tracks loud and clear...thank you!

since the release of his 2 first albums on favorite recordings, lucas arruda has quickly established himself as one of the most talented young artist and composer from brazil. his music is filled with fusion style, mixing influences and elements from his latin musical background, with his genuine admiration for jazz, soul and funk music. . here s a new single, announcing the release of lucas’ third album. this new opus is pursuing the music direction set with solar, mixing touch of blue-eyed-soul, pop, soul and brazilian styles together, and influenced by the path of legendary brazilian producer lincoln olivetti, who recorded some of the biggest stars of brazilian music (marcos valle, jorge ben, tim maia…).

2017 repress due to high demand and crazy online prices!! santuri s embaire umeme ep got a worldwide premiere from gilles peterson on a never-ending quest to support and exposure far off musical cultures around the world, the next on the corner releases sees them look to uganda. teaming up with santuri (an east african electronic music innovation project) and soundthread (a creative development non-profit), they have worked alongside the mugwisa international xylophone group with modern recording techniques and further re-arrangement on two remixes. the first, by sam jones, was premiered last week by stamp the wax, and today ushers in the second by alejandro mosso. a thudding kick drum at the first beat aims this one straight towards the early evening dancefloor. working in unison with samples from the giant wooden xylophone and conversations between the musicians, serves to place the track back into its original context and is allowed to settle for a couple minutes, before what sounds like a kora or zither brings a far-eastern twist. with the slow-burning, steady elements of a balearic production and the beguiling hypnotism of steve reich s work this is a big worldwide favourite.

flottant releases cuts right through the misconception that floating and dancing fall at two opposite ends of the same spectrum. from a1, a minimal house cut full of an energetic tension that inevitably resolves into a sentiment of hopeful nostalgia, to a b side which floats far nearer its pulse, with b1 offering a clear feeling of resolution whilst still immersed in spacey elements that groove in a timeless rhythm, and b2 being punctuated by a more techno-driven groove that still flows amidst the floating atmosphere of the entire record, finding closure in a place of unapologetic happiness.

originally released in 1986, “alkaid” was the first solo release of deca following his debut appearance on the cult various artists compilation “angelo segreti” the original edition was published in a tiny edition on the independent italian label videoradio and to this day remains a rare and sought after album. following mothball and bordello’s continued work with deca, we are proud to make this diverse and fascinating collection of music available to a wider audience. on this instrumental lp we can hear elements of modern classical, synth-pop, dark ambient and even some middle eastern influence.

molotov represents the best elements of its creators, brooklyn rapper, saga and chicago producer, thelonious martin. the rhymes are potent and powerful, taking down everyone from cynics to haters, wack emcees, and inner demons. and the instrumentals serve to bring those words to life by way of head-nodding percussion, and slick sample flips.

brian kage returns on michigander with the, best kept secret ep. kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and michigan’s natural splendor. best kept secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. lost on old free-soil road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. cruise control on us-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. all these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. this tune is the perfect tool for any dj interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside. related items

hugo gerani’s esplore ep launches on cosi cosi - a freewheeling meander through a super casual house sound. it is true ‘club music’ built between social interactions and environments, with all the spice and intrigue of chance encounters and missed connections.
on the a, ‘she’s lying (roe st on the fone mix)’ channels the boisterous yet untroubled late night activity that goes into its namesake. it’s a perfectly broiled and basted club tune - a real, suburban classic. elsewhere there are organic and effusive beats, blinking with sensorial curiosities and vocal suggestions as well as elements of stark, scandinavian techno.

burnskis and jon woodalls constant sound sublabel constant black continues its march into the underbelly of heads down club tracks with this installment from the hitherto unfamiliar constant. whether it s burnski under a different guise remains to be seen, but the quality of the tracks is the prime concern here. the a1 track is the perfect blend of tech house, with a hooky rhythm section and all manner of shimmering sonic delights spread out on top. the a2 taps a more reduced house vein, keeping the beats slender and the melodic elements subtle and dubby. the b side cut seems to merge the two to create a bubbling slice of swinging funk for the subliminal generation.

nice price deal !!! with andrew frame we are happy to welcome a new face at level non zero. he became famous because of his releases on pv, planet vision, elektrolux and phono elements (azur taint). on lnz he demonstrates once more his longtime and versatile production experiences. the a –side >blue matrix< shows up with an experienced teamwork of a sequence and the atmosphere together with a ping pong baseline which drills into your head and finds its climax in a break with scifi sounds. more than just a good dj tool ! hands up ! >ambervision< on the flip side gets its face from a discreet melody which flyes over the baseline and the mood thru the room. a nice tune for early morning sessions

here again another japanese artist does his debut release on bosconi extra virgin, daisuke kondo from okayama drops a delicious 4 tracks ep featuring a special reinterpretation from italian duo nas1, not new to the bosconi fam, who also appeared on wild oats and more recently released on berlin label money sex. -roof dancer ep- starts with the subtle and hypnotic house jam of -everybody-, a groovy and bouncey deep house track enriched with funky elements and delayed keys going all along the track, in real daisuke s trademarked style.on a side second cut there s the -roof dancer- tune who gives the title to the ep, a funky and extra warm broken beat jam dense of organic latin percussions and jazzy vibes..and it feels like a real band jamming on a beach! nas1 rework for -exit- opens the b side with a pumping, tribalish and unconventional freestyle jazz-house jam for your freaked out moments on the floor or even a -stand up!- track for your opening sets, something for theo s fan..the ep ends with the chuggy beat of -passion-, a track which reminds some of best moodymann s classic atmospheres or even those soulful loungey tunes from the late 90 s. tasteful beats for your summer!

jun kamoda has been a solid contributor to japan’s electronic music scene for quite some time. producing under his illreme moniker for over 15 years & also as member of hip hop trio baleine 3000. he is also a cartoon illustrator for japanese independent magazine ‘usca’.
2016 saw him release ‘the clay ep’ (with *that* physical graffiti tune) on new york’s seminal imprint mister saturday night as well as a track for a dirt crew recordings compilation. having recently remixed clap! clap!’s ‘hope’, jun kamoda’s debut for black acre is set for release in june.
infectious licks and raw drums come together to form ‘blind disco’, an animated production that blends a cacophony of samples into a raucous party jam. ‘ramen funk’ is a moodier cut by comparison, featuring a medley of percussive elements, vibrant guitar melodies and a seedy bassline, until ‘savanna on the palm’ chops up and loops a wailing vocal sample before leading into echoing chords and a twisted groove in a mesmerising conclusion.

we hit you with the second single from jimpsters acclaimedsilent stars lp loaded with the good stuff! the album has received much love from djs and critics alike and its clear that after 25 years in the business jamie odell retains his reputation as one of the most talented and consistent electronic artists in the uk. as a&r and dj he also boasts a fine ear for emerging talent and here he hands over the reigns to two hotly tipped producers to rework his originals. first up we have the incredible peggy gou who takes on the sun comes up ft. jinadu.her speedy rise through the ranks over the past 12 months has been down to just a handful of brilliant eps on rekids and phonica and her skills as a club dj. the berlin based korean sits somewhere between detroit, london and berlin in sound and her dj sets are an assured, kinetic combination of dark, pulsing house and techno, broken beats and abstract compositions. her influences shine through on her remix which goes deep and musical whilst retaining an energetic drive for the dancefloor. perhaps the most mesmerizing, floor-focused track from the lp is up next, silent stars. an electronic tribal dance which builds to a speaker-wobbling sub-bass breakdown and wonderful chord section at the climax. next, a remix from west coast native urulu who came to jimpsters attention through his releases on lets play house, dirt crew and his own amadeus label. trying to describe his remix of where you areft. khalil anthony is no easy task, fusing elements of techno, broken beat and afro house, but check it out and if you can think of a suitable new sub genre to pigeonhole it with, let us know. closing the release we have the slow-burning, balearic-tinged beauty known as the sun comes up featuring jinadu on vocals. this is one to drop in the warm after-glow of a crazy night under the stars when tired legs and happy hearts crave a soulful groove to give them one last lift.

hot creations gear up to drop the eagerly anticipated house & pressure from hot property route 94. echoing the excitement that surrounded his no.1 hit my love, which shot him to stardom, the record has been in serious demand for months. now finally ready for release he showcases his versatile skills as a producer over three heavy-weight tracks. rowan jones aka route 94 explains how he wanted to put out three tracks that were diverse yet definitive. title track house & pressure packs a real punch and contains the vocals from joey negro s classic ride the storm featuring linda clifford. the dominant female vocal on ‘house & pressure’ combined with the force of the drum machines is a traditional element that people connect to the route 94 productions. with ‘crazy bitch’ it’s a more of a big room sound, incorporating ghetto elements. ‘dark keyless’ is the complete opposite, creating a groove that aims to grab the crowd and let them loose. this year has seen a succession of big releases and remixes from route 94 that cement his place amongst the dance music elite including the recent hit mind, body & soul on crosstown rebels. the talented producer first saw fame reaching no.1 in the uk charts with my love featuring jess glynne. keen to remain on the underground scene, he followed with releases and remixes on leftroom, defected and hot creations. overwhelming success followed as he performed at the likes of fabric, sub club, space, ushuaia, dc10 and many more. with a wealth of new material still on the way and a hectic touring schedule in place, its clear this is only the start for the young artist.

after heavy support on their rinse fm show over several years, keysound recordings are proud the announce an ep from lyeform.
with forthcoming releases on keysound and fulcrum, lyeform’s diverse and innovative music has received support on rinse, nts and radio 1 from dusk & blackdown, mumdance, karma, walton, riz la teef, benji b, beneath, hodge, tmsv, detboi and e.m.m.a.

london-based producer cera alba pairs up with vocalist zahra for a pair of tough tracks on jamie jones’ hottrax this june featuring a remix from stockholms tiger stripes. since his humble beginnings several years ago the newcastle-born artist has cemented a reputation for consistency, with releases appearing on the likes of hot creations, moon harbour, viva music, avotre, madtech and gruuv. as a dj he’s been making regular appearances across europe, including venues such as watergate berlin, sankeys ibiza, brixton academy london, not to mention festivals such as hideout. taking over me is a dark and moody roller from the get-go. robust drums and mesmerizing atmospherics form its basis whilst zahras soulful vocals and a cavernous low-end rumbles throughout to its rhythm as a piercing vocal and metallic elements ebb in and out of the mix. tiger stripes then provides a crunchy remix of taking over me, distorting zahras vocals whilst incorporating tantalizing synths into his own stomping rendition.

desiderii marginis long out of print debut album from 1997 “songs over ruins” is given a proper re-issue, carefully remastered by johan levin himself and with new artworks as cd and limited edition lp. a landmark in the genre, with it’s desolate, minimalistic and grief stricken odes to religious and spiritual burdens. a foray through abandoned ruins and a reflection on the passing of time and the impermanence of all things physical. outstanding in quality and production skills, this mesmerizing and foreboding journey is at times tranquil and melodic and also dives into more martial like percussive elements and industrial atmospheres. classics like these definitely need to be discovered still and also rediscovered, and it’s with great pleasure that we make it available once again.

sadar bahar & ben cosmic force team up and come correct with these two direct disco jams artwork by cosmo knex. tipp! the two tracker arose after sadar bahar discovered bens utrecht based studio (housing 60 synths!). electro fiend ben was charmed by the electronic elements in sadars funk and sadar loved bens ideas. nuff said, a new nl based project was born. nothing sampled for these tracks. only stabbing guitar, bass, sax and pounding drum programming for dance floor heat!

kid drama’s debut metalheadz release is one that is set to shake up this 4-year-old alias as he heads in a direction that’s slightly more focussed on the dancefloor, whilst managing to subtly retain some of the elements that have seen him become so loved in the deeper and more experimental side of drum and bass. the ‘trife ep’ proves how much of a talent kid drama is, from the savage bassline in ‘brutal d’ to the late 90s techstep vibes of ‘articulation’ all the way to ‘payback’, which is a track that could have easily come out under his and boddika’s instra:mental moniker. this is an extremely well-rounded project and one we’re delighted to be releasing on metalheadz.

popof’s illustrious label form music is set to release a special vinyl only compilation showcasing some of the imprint’s most exciting artists entitled, ‘reformers’.
since its formation in 2009, form music has rapidly established itself as one of the most innovative and ambitious dance labels, working alongside both established and new artists including julian jeweil, sébastien léger, animal & me, mendo, philip bader, petar dundov, dj fronter and jay lumen as well as the label’s head honcho himself, popof.
kicking the four track package off is popof’s sublime rework of julian jeweil’s acclaimed dancefloor destroyer ‘chrome’, which is perfectly followed by the pounding drum-and-bass-tinged-techno workout ‘shadow tactics’, created by slovenia’s pioneering dj/producer umek.
julian jeweil’s ‘midi’ continues the release, seeing the talented frenchman utilising synths with real expertise and blending electronic nuances with melodic percussive elements to bring us nicely on to the compilation’s closing track, the deep and trippy tech house gem ‘slush fund’ by berlin-based simina grigoriu.

new years deal - a1 - luc marianni - six synthetic suites (anno stamm remix) berlin producer anstam’s remix of six synthetic suites is quite a trip. the producer has crafted a dubbed-out version, almost sub aquatic in its sound design, structured around a murky but driving techno beat on which he layers marianni’s sounds. exotic instruments, unusual timbres, daring melodies and even slapped bass: the contrast between these sounds and stamm’s grayscale groove is powerful. a2 vril - synthetic suite giegling artist vril uses samples from marianni’s six synthetic suites released in 1986 to produce this lovely slab of dub techno. carefully crafted, this track is all about soft edges, with a kind of blurry and hazy vibe that permeates it. a sense of motion is conveyed by the sparse but efficient rhythmic section, with chords and melodic elements giving the impression of floating. with much more contrast and complexity than it might seem at first listen, this is beyond your usual dub techno cut. b1 luc marianni - six synthetic suites (margaret dygas remix) also based in berlin, margaret dygas’ own remix of six synthetic suites is a deconstructed affair, built around a half step groove, ready to be used creatively in dj sets. somewhere between an ambient excursion and a more rhythmic jam, the producer uses a sparse palette of hallucinogenic, dizzying sounds with a dash of eerie darkness that gives this version a melancholic, unsettling nature. words by edouard isar.

for its eleventh release italian label what ever not, founded by dodi palese and dan mela, crosses the world to catch up with japanese producer keita sano for a release of singular, no specific style. the contributions debt to disco, house and techno, all of which boast an old school sprint making one move from the inside. the four-track pack melts afro funk contaminations with scented, crunchy and deeply varied patterns, sampled vocal elements and looping melodies.

respected house and techno artist dj deep returns to rekids with four murky productions this june. having been a staple in the parisian scene for over two decades, dj deep’s vast knowledge of electronic music is indisputable making his return to production in recent years all the more exciting, releasing on tresor, rekids, and his highly regarded label deeply rooted. ‘la grande brasserie’ features rolling kicks and a subtle rhythm as futuristic stabs ebb in and out of the mix, contrasting to the ‘2e service’ version which, whilst sharing a similar aesthetic, sounds bigger with its echoing synths and infectious claps. on the flip, both tracks are more dark and mellow in comparison, ‘paris heartbeat’ demonstrates twisted atmospherics and gloomy elements, whilst the intricate and mesmerising ‘chord kids’ is exemplary of dj deep’s ability to craft imaginative left-of-centre cuts.

anglo-cherokee-japanese skateboarder turned musician korey dane returns with his second album chamber girls. influenced by the likes of t.s. eliot, tom waits, karen dalton, the beatles and the stones, and more, chamber girls was recorded almost completely live at l.a.’s analog time capsule valentine recording studios, searing instinct and experience direct to tape. dane produced everything himself, too, except for a quick assist from legendary producer tony berg (x, public image ltd.) on one song, and he was inspired by the deceptively simple ethos he’d internalized while making youngblood: pursue greatness. “writing a song that you know someone might skip over later is sacrilege,” he says. instead, he wanted every song on chamber girls to feel not only live but alive, too, with that go-forbroke spirit that animates everything he says, does, or sings: “i’m writing all the time,” he says. “i’ve lived by a line a day sometimes. i try and stop when it’s good. if you try and simplify it down to its bare elements ... it’s truly a redemptive act.”

born as the daughter of two opera singers josin grows up constantly surrounded by music. for herself josin draws a lot of her inspiration of the northern world, which is as rich in contrasts as her music. it is rough and cold but full of nutrients and life. and if you wish you can exist in it and slowly but certainly and then forever recognise its beauty. currently the musician is working on her first album and new songs. although josin likes to choose a way between elegance and minimalism, the first tracks of the new recordings present themselves with a power that presses forward more determinedly. her producing also appears more open and experimental with electronical and classical elements. yet she maintains her natural otherness and intensity in a timeless way.

for his 1st life notes release, life recorder introduces his new motion process alias to show up his more techno oriented influences. the guiding lines ep starts with the evocative and classic detroitish energy of -for da mind- and offers a 4 track adventure shaping and building a trip to some deep atmospheres and mental textures dressed up on driving basselines, hi hats and percussive elements.

main main music is a record label and event management from slovenia at the moment based in berlin. the word main main is from the malay language, which means to be playful, playfulness.
main main music wish to create a harmony in a word of music and outside of it, which is very important for a success and a great vibe as well as excellent being at our parties.
with our story, we want to put all energy and focus in a quality sound and music made with passion, organic elements, analog sound, true feelings, and character. through our vinyl releases, we would like to present wide styles of deep, minimal, tech house music with already known and young talented producers from the whole world, which works in a creative way and wants to be recognized for their unique sound.

saine & smith consists of jaja saine and leo smith. two talented djs/producers from stockholm. both are diaspora kids - jaja saine s background is in west africa and leo s in barbados. so their debut release is a kind of heritage reflection, with twisted elements of decadent scandinavian dance music, which echoes generally in their sound. a. lord vanlig - inspired from afro-caribbean traditional folk music from the 60s. a melodramatic blend of cheer and sorrow. with capturing and repetitive drums combined with a compact kick and sweet overlay of melodious keys and child laughter. b. sir viktig – a deep house banger with haunting ghost like pads, catchy afrobeat samples and vocal snippets.

the beauty of one of those nights can be found in the blend of simplicity and functionality. both tunes are outlined by an almost brutal reduction to the core elements. carefully selected sounds that are arranged in a highly effective sequence of patterns - that is the definition of fabio papa s music. his long time experience as a live performer is reflected directly in his productions. it doesnt take a lot of elements to get a perfect groove he states, but without groove, there is no fire on the dancefloor. the record gets topped off by two powerful remixes by ander and the f.e.m. ensemble.

figure is excited to present the first outing of what might soon prove to be one of techno’s most promising collaborations. while seatoc mass’ two pristinely crafted eps have already left their mark on the label, matrixxman has been turning heads across the scenes with his exceptionally prolific track record. drawing upon common thoughts on futuristic themes and their respective strengths as producers from different continents, their joint effort clearly conveys one distinct approach, yet unites the seemingly opposite. regardless of being no-nonsense dancefloor-weapons, the four tracks still brim with detail, their vibrant elements communicating playfully. on their shared ep these artists have struck a rare balance. they delicately hover between the spacious and the claustrophobic, the modern and the classic, the stern and the elated - while never losing focus of their mutual mission.

nice price deal !!! unique compilation of house, minimal and techno combined with futuristic dance elements make this to a solid techhouse 3 track ep incl lopazz remix

while bringing the antidigital s four-fold path to completion, v.i.t.r.i.o.l. squares the symbolic structure of the series by focusing with conceptual precision and musical elegance the heaviest of elements within the alchemic cycle: water. both adaptable and erosive, essence and abyss, the paramount fluid is an archetype of metamorphosis. constantly attempting to overtake every obstacle towards the gravitational center, pervading and transmuting the earth by transforming itself, water eternally conquers the depths where it still serves as origin, nest and nourishment of life. like a torrent, v.i.t.r.i.o.l. tells and embodies the sublimating descent of water, taking shape as a pouring of micro-tonal falls, opening passageways through a radiant narration of deep intimate soundscapes. framing a sequence of almost religious experiments in circuit manipulation and digital-processing of the resulting electrical sound-fields, the short album signs the important inspirational contribution by drøp to dromoscope antidigital project. enchanting second outcome by sound designer giuseppe bifulco, v.i.t.r.i.o.l. resonates clearly of a post-modern electronic shamanism, a fascinating musical vision interpreting sound as a physiological trigger and music itself as a therapeutic instrument, a path for an interior empty-set (ø) capable to free consciousness from rational domain and reconnect it to deeper natural truths. like a map for the descent, v.i.t.r.i.o.l. engraves its own name and structure with one of the most substantial hermetic aphorisms ever, -visita interiora terrae rectificando invenies occultum lapidem-, dropping a hint and pointing a destination for the healing research of the truth: the unknown interiors of the world, the subterranean unveiled inner self.

nice price deal !!! andrea doria is such a maniac in the best possible way for sure, when its about creating soundscapes, noisy filters and funky percussion breaks. with tracks like >arsenico< or >exit<, he stopped beeing nice and presents the dirrrrty side of italian sound made in bologna. distortion, bitreduction and noise are the key elements accompanied by stomping grooves that can t be resisted. not less placed in the range of loud and proud sound comes >summertime< with beautiful harmonics, paired along its deep, subtle bassline ready to blast every afterparty.

h-productions proudly presents >knowledge< by cari lekebusch. this is the eigth release in the full color spectrum serie, that is aiming to result in 10 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements or rhytmic changes. thus giving the dj more freedom to play around during the blending. all the sound generations and processing have been done in an analog enviroment, utilizing many of caris old techniques from around 1993-1997.

dj support: nastia, cassy, radio slave...
tenax recording is proud to have marco faraone on board again, one of the residents at the club. after his successes around the world recording for the likes of drumcode, ovum recordings, holic trax and his own label u&#1048,,cag&#926,, he delivers an absolute banger of a ep including a very sophisticated remix by the very talented honey dijon from chicago. the ep is composed of 3 original tracks with raw elements and atmospheres: horizon is a never-ending dj tool based around a groove with a great synth line, double faces has special dub characteristics and parallels is a real stomping track aimed straight at the floor. the perfect mix for underground dancefloor.

passafire s longshot, the full-length follow up to vines (2013) and the interval ep (2015), finds the band continuing to stretch in new musical directions, while still maintaining a strong core of reggae elements. some songs tread into 90s grunge, hip hop and even current pop, but for hardcore passafire fans, this genre-bending style will come as no surprise for a band that has always pushed itself through experimentation, with a foundation of hummable hooks and vicious musicianship. a guest spot by rapper mr. lif also contributes a new angle on the song -blow. vines debuted at 1 on billboard record chart.

for it s fourth release, jongno edits got two tracks of pure korean grooves by editing wizard mori ra. two sides, two atmospheres: side a is a boogie banger that embraces all the elements of the top tunes of that era: strong drum beat, slappy bass synth and violins break downs. reinforced by killer funky guitars and congas that hold the groove tight! side b is your perfect sunset balearic cut for this summer. the dreamlike bells match perfectly the suave voices to prepare your ascend to the clouds of delayed organs and acoustic guitar where jeju becomes ibiza

biomechanoid is the classic 1980 album by composer and flutist joel vandroogenbroeck. the cover art served as the basis for the design of the movie alien. its 1980, in munich, germany, upstart production music label coloursound library releases their debut album. capitalising on the success of ridley scott s alien film, the label dropped biomechanoid, featuring cover art commissioned by hr giger, whose horrific necronom iv lithograph served as the basis for the design of alien and the music of the relatively unknown joel vandroogenbroeck. comprised of bleak, cinematic synth soundscapes and percussion, the album served as an inaugural calling card for what would be a decade of dizzying solo releases by vandroogenbroeck for coloursound, running the gamut from mesopotamian ethno-folk to synth sequencer funk to electro drum breaks to in-utero ambient delights

we are extremely happy to welcome yet another talented crew from italy in the moonshine family. d-operation drop is a project born in 2010 thanks to the encounter of 5 university students wich found themselves sharing the same house and more importantly, love for music (in 2013 zeemo joins the crew, modifying the formation from 5 to 6 elements). after a couple of early collaborations, almost casual, uniradio cesena gives to d-operation drop the chance to lay the foundations of an underground music program on air twice a week. thanks to this experience the group officially finds its frame and looks forward to its new goals such as producing, djving and vj’ing. to date d-operation drop, after almost seven years of experience, has received support from artists like j:kenzo, distance, n-type, icicle, radikal guru & many others. releasing music with notable labels such as lion charge, artikal music uk, subaltern and now moonshine recordings.

taking proto sites back to the hypnotic hardware methods of earlier releases like lutto lento, s olbricht and sentry, suspension ep makes things kaleidoscopic, raw, repetitive and asynchronous. high gain perishing delays gradually cook your brain while flerbing sci-fi reverberations crawl across the atmosphere. this five-track cassette mantra has a furry analogue outer crust barely containing its computer controlled acid consciousness. each tune has its own density and unique stripped back bass structure which carries the whole thing along, absorbing strange hissy elements as it rocks downstream. breaking through the mantle, sawtooth voices murmur foreign incantations, swinging loopy phrases come and go jamming their way into repetitive bass squelches all pressure cooked to the extreme.